Kira O’Reilly is a London based artist; her practice, both wilfully interdisciplinary and entirely undisciplined, stems from a visual art background; it employs performance, biotechnical practices and writing with which to consider speculative reconfigurations around The Body. But she is no longer sure if she even does that anymore.
Since graduating from the University of Wales Institute Cardiff in 1998 her work has been exhibited widely throughout the UK, Europe, Australia, China and Mexico. She has presented at conferences and symposia on both live art and science, art and technology interfaces. She has been a visiting lecturer in the UK and Australia and U.S.A in visual art, drama and dance. Most recent new works have seen her practice develop across several contexts from art, science and technology to performance, live art and movement work.
She has made movement works that she doesn’t like to call dances and has been increasingly informed by combat sports and martial arts as mode of investigating movement and embodied thinking, leading to running workshops that use grappling practices alongside writing.
She writes, teaches, mentors and collaborates with humans of various types and technologies and non-humans of numerous divergences including mosses, spiders, the sun, pigs, cell cultures, horses, micro-organisms, bicycles, rivers, landscapes, tundras, rocks, trees, shoes, food, books, air, moon and ravens.
Dr. Jennifer Willet is an internationally successful artist in the emerging field of BioArt. Her work resides at the intersection of art and science, and explores notions of representation, the body, ecologies, and interspecies interrelations in the biotechnological field.
From 2000-2007 Willet and Shawn Bailey collaborated on an innovative computational, biological, artistic, project called BIOTEKNICA. At the same time, she taught in the Studio Arts Department at Concordia University, and completed her PhD in the Interdisciplinary Humanities Program at the same institution. Willet also taught “BioArt: Contemporary Art and the Life Sciences” for The Art and Genomics Centre at The University of Leiden in 2008, and now works as an Assistant Professor in the School of Visual Arts, at The University of Windsor. In 2009 she opened the first biological art lab in Canada, called INCUBATOR: Hybrid Laboratory at the Intersection of Art, Science, and Ecology at the UofW. In July 2011 she completed BioARTCAMP, a project that involved hosting 20 artists, scientists and students at The Banff Centre, where they built a portable bioart laboratory and conducted experiments in the Canadian Rocky Mountains.
Exhibitions include: the Arnolfini Museum, Bristol UK (2010), Exit Art Gallery, New York, NY (2009), Ars Electronica festival, Linz (2008), FOFA Gallery, Montreal (2007), ISEA San Jose, USA (2006), Biennial Electronic Arts Perth Perth, Australia (2004), The European Media Arts Festival Osnabrück , Germany (2003), La Société des arts et technologiques (SAT) Montreal, Canada (2005), and The Forest City Gallery London, Canada (2004), amongst others. She has conducted research during residencies at The Banff Centre for the Arts Banff, Canada (2002, 2007, 2009, 2010, 2011), and SymbioticA, The University of Western Australia, Perth, Australia (2004, 2006).
Visit her website here.